Skip to main content

Lee Ho Fook

You know how life is sometimes like a weird puzzle with all the bits slowly connecting or disconnecting over time? 

For example, Lee Ho Fook (92 Smith Street, Collingwood). I feel connected to it, sort of. In a tiny way. Let me try and explain. (If you don't like detail, skip to after the next photo!)



When I still lived in Sydney, I went to a Halloween party where I met a cool chick (Miss Hospo) who, like me, was moving to Melbourne soon. When I arrived, I knew just one other person (Mr Chef), who I'd worked with in retail at Grace Bros (back when it used to be called Grace Bros). I was determined not to rely on him to show me around, introduce me to his friends, etc. But this was right after the GFC, and I found it much harder than I ever had before to land a job. So I asked Mr Chef if I could crash on his couch for a while to save money. While I was there, one of his housemates moved out, so I moved in and quickly became best friends with his other housemate (Miss Fun). The three of us went for lots of dinners (this was after I found a job, of course), including several at French restaurant Boire on Smith Street. In the process of getting to know everyone, and Melbourne, I discovered that Mr Chef also knew Miss Hospo from Sydney! What a small world. Mr Chef had gone to cooking school with Miss Hospo's brother, who happens to be Victor Liong, head chef of Lee Ho Fook, which is currently housed in the former Boire site on Smith Street. 

Confused yet? 

After a few years of living with Mr Chef and Miss Fun, I moved into my present house, which happens to be walking distance from Smith Street, making it officially "my 'hood". So - before it had even opened - I had heard of Lee Ho Fook through Mr Chef and Miss Hospo, and then only had to walk up the street to try it! Add to this the fact that I had started blogging maybe a year earlier (and when you blog, you hear of new places more through Twitter, street press and other bloggers) - plus I work in "the industry", which exposes you to a lot of HOT news - and I was chomping at the bit to try Lee Ho Fook. 

By the way, this is not one of those name-dropping exercises (clearly - because it is highly likely you have no interest in and/or connection with any of the aforementioned people): I have never met Victor Liong. And now I possibly sound like some kind of crazy stalker lady who seeks out head chefs of new restaurants. But no, that is not me. I'm painfully normal. Lee Ho Fook was merely the culmination of a number of pieces in my life puzzle. Geddit? 

So. Now I will attempt to describe my experience there. 



First up: the Look.

I liked it. Not much was done to transform the former Boire site, which was basically one long room with kitchen at the back. Design was taken care of by Techne Architects, and paid for by the very same folks who back MoVida, Pei Modern and Rosa's Kitchen (visioniaries!). The walls had been painted black to about halfway up, like someone forgot to finish, but from further back it gives a dark, floaty feel, like you're bobbing upon a black sea or something. There was now a bar installed halfway down one side, well-stocked but a bit hemmed in, manned by a hat-wearing bartender.

My lovely friend posing so I could get the wall and lights


There were simple round hanging lights trailing along the ceiling, connected by a bunch of colourful wires strung in an arty fashion. And there were pieces of chunky mismatched Chinese crockery, interspersed with gleaming, tinted, stemless wine glasses.



Round wooden tables with black chairs, a few tall tables with stools lining one wall, exposed concrete flooring -- just yoink a name from Warren Zevon song Werewolves of London, and ladies and gentlemen, you have a restaurant.

The menu is short, which some people will not like, but this means it can be changed more often. I actually love having fewer options, because I take aaaages to choose what I want. (You can check out the current menu on their website.) We ended up saying, "feed us, to amount x per head", and it was pretty spot on in terms of dollars and amounts of food.

This was the menu when we were there:




It's essentially Chinese cuisine, referencing Liong's heritage, but also reigning in his most recent experience, having come from the kitchen of Sydney's Mr Wong (and before that, Marque, where he learned his schmancy technique under Mark Best). But Liong's angle on the food is that it's Chinese done with a fun, funky twist - not the same mediocre traditional stuff murdered by western interpretations and takeaway joints. I think he succeeds - you can tell it's Chinese food, but it's definitely not Chinese food as you already know it.

Raw scallop, shitake and lup cheong

Raw ocean trout and jellyfish salad (AMAZING)

Candied pork and cucumber milk buns. Cute.

Crispy eggplant served with spiced red vinegar

Yes, this is 'just' rice - but how cool is the bowl?!

Saltwater duck and red salad

Stir-fried gai lan with oyster sauce

Steamed barramundi with ginger and shallots

Sweet and sour pork


Presentation was simple, colourful and lovely. Highlights for me were the salads: trout and jellyfish, and duck and radish. Less salad-y than protein-based, both had fantastic, light, unusual flavours and left me wanting more. The milk buns were cute, but frankly I wasn't blown away by them. I don't recall trying the famed tea-soaked eggs - next time, for sure. A few of the items we tried are no longer on the current menu.

For dessert, we had the smallest things, because by then we were pretty full. Thankfully, they were very light - in fact, I could have not bothered with them at all. They were nice - there was just no bang/pop for me.

Jasmine tea custard with burnt caramel

Osmanthus jelly with white peach


I really liked the wine list. A similar approach was taken here (by Patrick Walsh of Cellarhand) as with the food: traditional styles and flavours, funked up by method. It was the descriptions that got me in, though; the wine characters were explained in a way that makes sense, not random words thrown together so you don't know what they mean, like on most wine labels (the ones that read something like, "an early harvest blend with notes of passionfruit, an earthy polish and a long finish." Say what?!)

Cocktails are crafted by Paul Ramsey, ex-Little Blood, and if this one was anything to go by, I'm going back for drinks alone:




It looks as though Lee Ho Fook has achieved what it set out to do: put Chinese food in a fun, less traditional context. By all measures it seems to have lived up to the hype surrounding its opening, although the hype does seem to have died down now. 



Despite the restaurant's initial success, it seems Lee Ho Fook has secured a CBD venue to move into later this year. The Smith Street site will probably be retained, but possibly run in a different format. I, for one, look forward to seeing what Victor Liong does next - in a very non-stalkery way, of course. 





Lee Ho Fook on Urbanspoon

Popular posts from this blog

The Lui Bar

In my opinion, some places are simply better experienced than described. This post features many photos which hardly do The Lui Bar (Level 55, Rialto Towers, 525 Collins Street, Melbourne) justice, because no matter how many pictures I show you or words I write about it, there is just nothing like viewing Melbourne from 55 floors up, handcrafted cocktail in hand, listening to jazz. Albert Park Lake and beyond, from The Lui Bar The Lui Bar stems off Shannon Bennett 's revered restaurant  Vue De Monde , the degustation meal of which is absolutely on my bucket list. The restaurant was moved to the Rialto site in 2011, and its adjoining bar has also been making waves ever since. Iconic in location, the venue not only occupies the top level of what was, in 1986, the tallest building in Melbourne and the Southern Hemisphere at 251 metres, but offers spectacular city views of up to 60 kilometres on a clear day. Even the Eureka Tower , currently Melbourne's tallest buil...

Supernormal

Is it, though? So normal it's super normal? I think maybe not. There are a lot of 'normal' things at Supernormal (180 Flinders Lane, Melbourne) - you go in, get a table (if you're lucky), order food, eat it at said table. But there are a few things that set this restaurant apart. Kitchen behind the bar One is size. Supernormal is quite big for a Melbourne CBD restaurant. There are different sections: a looooong bar (behind which sits the kitchen, and which pretty much runs the length of the restaurant), a line of booth-style tables, a couple of walls hosting tables with bench seating, and stand-alone tables in the middle. Bench seating tables and random display flowers and bottles It also has a very high ceiling, which makes the interior feel very spacious and airy. Hard surfaces everywhere do echo the noisy chatter from so many covers, but the space above all the heads helps absorb it. Stand-alone tables in the middle and hi Another is ...

Flower Drum

In a hospitality scene as ever-changing as Melbourne's, it's impressive when any venue manages to continue trading for longer than a few years. To be given the label 'institution' or 'iconic' is high praise indeed, since it is so hard to come by. Some might say Pellegrini's is a Melbourne institution ( I don't love it myself ), or perhaps The European , or a classic music venue like the Palais Theatre or the Espy . Rarer yet is an Asian restaurant afforded the title of a Melbourne 'institution'. And yet this is a badge that  Flower Drum (17 Market Lane, Melbourne) has retained since its debut 40 years ago. Flower Drum (also a traditional Chinese dance) was opened in 1975 by Gilbert Lau at a site on Little Bourke Street, aiming to bring quality Cantonese food to the Australian masses. Ten years later it moved to its current home, and head chef Anthony Lui was appointed. Lui remains head chef today, and in 2003 also became part-owner along ...